JULIA CHRISTENSEN is an artist and writer whose work explores systems of technology, consumerism, landscape, and memory. Her work has been exhibited at the Walker Art Center (Minneapolis, MN), Ronald Feldman Fine Arts Gallery (NYC, NY), Eyebeam (NYC, NY), Museum of Contemporary Art Cleveland (Cleveland, OH), and the Carnegie Museum of Art (Pittsburgh, PA), and internationally in France, Greece, Finland, and beyond.

Christensen is the author of Big Box Reuse (MIT Press, 2008). Big Box Reuse won several prestigious book awards, including the American Association of Academic Press’s Book of the Year Award in the category of trade non-fiction. Her writing has appeared in a range of publications, such as PrintArchitectHyperallergic, and Cabinet magazines. 

Christensen is a 2017-2018 fellow at the LACMA Art + Tech Lab. She is also a recipient of the Creative Capital Fellowship (Emerging Fields, 2013), a MacDowell Fellowship (2015), the Ohio Arts Council Individual Excellence Award (2015), the SPACES R + D Award (2017), and commissions from Turbulence and New Radio/Performing Arts. She has been awarded artist residencies at the MacDowell Colony, Wexner Center for the Arts, and the Experimental Television Center. Her public art works have been commissioned by LAND Studio (Cleveland, OH) and Artisphere/City of Arlington (Arlington, VA).

Christensen’s writing and artwork have been reviewed in publications such as The New York Times, New York Magazine, Bookforum, The New York Review of Books, Village VoiceArt in America, Afterimage, Afterall Journal, and The Washington Post. She has been an invited guest on many radio shows featuring her artwork, such as All Things Considered (NPR), On Point with Tom Ashbrook (NPR), and Marketplace (CBC). She has spoken widely about her work at a range of venues, including Yale University, Columbia University, Carnegie Mellon University, Idea Festival, National Arts Club, and Machine Project.

Christensen received her BA in Integrated Art at Bard College, MFA in Electronic Music and Recording Media at Mills College, and MFA in Integrated Electronic Arts at Rensselaer Polytechnic Institute. She is Associate Professor of Integrated Media in the Studio Art Department at Oberlin College.

Julia Christensen’s work has been included in the “Highbrow and Brilliant” quadrant of New York Magazine’s “Approval Matrix”; Make Zine recently said that “Christensen’s work is a stunning demonstration of the tremendous potential for creative expression using technologies we might otherwise throw away,”; The Washington Post said that “Christensen has seen the future.”